Drawing the people who couldn’t stay home.
In 2020 I drew the intros for a documentary TV series on a Spanish-language network in the US. Each episode told the true story of a frontline Latino worker, and of the families who carried the pandemic with them. Every frame was drawn by hand, in white lines on black.
- 2020
- hand-drawn intros
- documentary TV series
- frontline Latino workers
Four episodes
Episode 2 · no soundHospital monitors, wired to a beating heart.
Episode 4 · no soundA masked patient, resting.
Episode 5 · no soundAn intubated patient, held in a frame.
Episode 6 · no soundA Chicago neighbourhood under a dark sky.
A true story, drawn with care
Each episode began with a person’s own words. The drawing had to carry what a camera couldn’t: the inside of a hospital, a body fighting to breathe, a whole neighbourhood waiting at night, without ever exposing the people who trusted us with their story.
01Listen
Start from the worker’s own words, and find the one image that holds them: here, a heart on a line.
02Show what can’t be filmed
Draw inside the body and inside the ward, where a camera couldn’t go, with medical care for detail.
03Keep it dignified
Patients are drawn, not photographed, so the story can be told without exposing anyone.
04Give it back to the community
End on the people around the story: families, neighbours, co-workers.
// credits
Hand-drawn animation by Melisa Machuret
Watch the network’s feature on the series ↗